Collection
Paintings and prints for apartments, hotels and offices.
Works
01 / 37
Bambina
A girl’s face half-hidden in the crown of an olive tree — a collage in which the figure, a painter’s palette and brush, a tall ship and a gajeta come together in a single composition of the sea.
02 / 37
Rudi Milat
A boat on still water in warm sepia tones — in the distance the outline of a town with its bell tower, its reflection fading into haze.
03 / 37
Rudi Milat
Boats drawn up on a pebble beach beneath the crown of an olive tree — the sea a single dense band of blue, the sky a pale gold.
04 / 37
Dubravka Vojnović
A group of cypresses before hills broken into rolling planes of blue, violet and yellow.
05 / 37
Cvijeće
A bouquet of wild flowers in a vase, painted in dense, expressive strokes against a deep blue ground.
06 / 37
Djevojka u maslini
A woman’s profile merged with the crown of an olive tree — the leaves become her hair, while a regatta runs along the foot of the composition.
07 / 37
Rudi Milat
A gajeta on blue water beneath a blazing yellow sky — the olive trees on the shore drawn out into loose, almost flame-like strokes.
08 / 37
Rudi Milat
A tall ship in a whirl of deep blue and yellow — a free, expressive abstraction of the sea.
09 / 37
Rudi Milat
A sailing boat off a shore with an olive tree and white, red-roofed houses — sea and sky painted in dense, swirling strokes.
10 / 37
Konj, gajeta, djevojka u maslini
A female figure and a bell tower woven into the crown of an olive tree, with a gajeta on the shore and a horse in the lower corner — Dalmatian motifs recomposed into a single painting.
11 / 37
Dubravka Vojnović
A landscape broken into bold, almost abstract planes of violet, blue and orange — in the lower part, cypresses, a church with its bell tower and the roofs of houses.
12 / 37
Rudi Milat
A woman’s face hidden in the crown of an olive tree on the shore — across the still water a church with its bell tower, and a boat in the foreground.
13 / 37
Rudi Milat
A woman with closed eyes, crowned by an island village and its bell tower — beside her a John Dory and a gajeta, all assembled as a collage against a pale sea horizon.
14 / 37
Dubravka Vojnović
An olive tree bent in the wind — its crown opened into golden-green strokes above the blue.
15 / 37
Dubravka Vojnović
An old olive tree bent over a boat drawn up on the shore — its silvery-violet crown set against blue sea and the warm ochre of the land.
16 / 37
Maslina i gajeta
A gajeta moored beneath an olive tree, a stone house behind it — the motif broken down into dense, expressive strokes of yellow, green and blue.
17 / 37
Maslina i gajeta
A gajeta beneath the crown of an olive tree — a golden-yellow canopy above a deep blue, painted in loose, sweeping strokes.
18 / 37
Merlinka – šanpjer
A female portrait recomposed with the sea motif of the John Dory — figure and sea joined in a single painting, characteristic of the artist’s style.
19 / 37
More
A collage of the sea — a large John Dory, a spearfisher with his catch and a red boat, woven into a swirl of blue strokes.
20 / 37
More, apstrakcija
The surface of the sea broken into dense, marbled strokes of ultramarine, yellow and green — only a few thin white gulls give the scene its scale.
21 / 37
Rudi Milat
A gajeta in a swirl of blue waves — beside it fish heads and dense, granular surfaces like the seabed.
22 / 37
More, jedrilice, regata
Sailboats in a regatta cut across a restless sea, painted in broad, sweeping strokes of blue, turquoise and green — above them, a lone gull.
23 / 37
Dubravka Vojnović
A Baroque altar in candlelight — arch, statue and flowers broken into translucent planes of blue, violet and gold.
24 / 37
Peristil
The Peristyle beneath a dark blue night sky — colonnades and the central portico painted in white, ochre and violet highlights, with the bell tower of St Domnius in the corner.
25 / 37
Dubravka Vojnović
The central arch of the Peristyle seen close — columns and capitals in white and violet, the walls in warm yellow light.
26 / 37
Dubravka Vojnović
Split’s Peristyle in deep perspective — colonnades on either side lead the eye to the central portico, the stone painted in warm ochres beneath a blue sky.
27 / 37
Plavi Peristil
Split’s Peristyle steeped in blue — colonnades, arches and the bell tower of the Cathedral of St Domnius in warm ochres, while the blue of the sky spills down onto the paving of the square.
28 / 37
Dubravka Vojnović
A composition in yellow, green and deep blue — silvery, speckled shapes like fish glide through the brushstrokes.
29 / 37
Rudi Milat
The Last Supper set beneath a deep blue vault — Christ at the centre, the apostles in greens and blues, the table beneath them dissolving into violet.
30 / 37
Rudi Milat
The Last Supper recomposed with a large human eye and a fish — the apostles gathered around Christ beneath a restless, starlit blue.
31 / 37
Rudi Milat
A waterfront promenade with benches and trees, a church with a bell tower and red roof, and two boats on the blue sea in front.
32 / 37
Rođenje
A nativity scene composed within a circular, almost window-like frame — Mary, the child and the shepherds gathered in a warm, golden light.
33 / 37
Rudi Milat
A John Dory in profile on a violet-blue ground — the body in turquoise and grey tones, the fins traced in fine light lines.
34 / 37
Rudi Milat
A red scorpionfish laid across a woman’s face in the waves — behind them the sails of a regatta and a bell tower on a yellow horizon.
35 / 37
Rudi Milat
Split harbour in warm, sepia tones — the bell tower of St Domnius above the city walls and sailing boats at their moorings, drawn in fine line over translucent washes.
36 / 37
Dubravka Vojnović
The cathedral and bell tower of St Domnius beneath an intensely blue sky — stone and columns shaped in light, assured strokes.
37 / 37
Dubravka Vojnović
A church and bell tower among cypresses, framed by a loose watercolour bloom of blue and violet that dissolves into the white of the sheet.